WORKS
DL1310 APTPAVILION ( )
Z53 SOCIAL HOUSING
JARDÍN Y PABELLÓN ESCÉNICO
ODP APT
TL 2816
LEÓN SOCIAL HOUSING
CHAPULTEPEC 500
M193 APT
AL APT
OKU
WELLNESS CENTER
OKU PEDREGAL
P1 APT
CASA 11
S11
P20
OSTRERÍA 109
SATOSHI
C47
FERRY TERMINAL
DL 5155 APT
HC APT
CAMPECHE APT
LUMA CAFÉ
JD LANDSCAPE
SPORTS CENTER
AVT APT
LP NO. 12
ARCHIVO PAVILION
SCHOOL IN TULUM
HANGING OBJECTS
LINEAR PARK
QUASI THING
IKZA
PAU SCHOOL OF ARCH.
SLIGHTLY FAMILIAR
JV APT
RESTAURANT IN TULUM
HOTEL IN SRI LANKA
IV APOTHECARY
MAYORGA ROOFTOP
SANTA MARÍA APT
2875 APT
ANAMUR SOCIAL CENTER
BOLICHE MARSELLA
TRIPAS SONORAS
SHOA MEMORIAL
BLUE RUIN
ÇANAKKALE ANTENNA
SPORTS COMPLEX
CH 430 APT
EXPLORATIONS
VANISHING CONCRETEBRICK ORNAMENTS
STUCCO HATCHES
TERRAZZO
TRAVERTINE EXTRUSIONS
BOOLEAN TOTEM
WICKER GLITCH LAMPABOUT
NEWS
CONTACT
JARDÍN Y PABELLÓN ESCÉNICO
The strategy is clear: in the spaces free of trees, the soil is dug first and then added elsewhere, transforming the plot into a landscape of low hills and lakes. This topographic complexity generates a series of public spaces of intimate scale, favoring multiple outdoor activities. At the same time, the topography itself allows for the necessary acoustic and visual protection in the areas that require it.
This way, the Jardín Escénico aims to attract the community and act as a cultural and natural laboratory in the heart of the city. The topography of the Jardín also facilitates the management of the water resources of the site, being possible to store them in the generated ponds. The small variations in height of the terrain naturally produce diverse scenarios that favor biodiversity in the Jardín Escénico.
The project follows two main strategies to integrate its architecture into nature. On the one hand, the program is fragmented into three pavilions, blurring the boundaries between architecture and landscape, between interior and exterior. The auxiliary program of the pavilions is located inside the hills, ensuring the functionality of the Pavilions while enjoying nature as a backdrop. The second strategy involves defining the Pavilions through a minimal gesture: a performative roof that rests on the landscape and acts as a symbol. The three Pavilions generate life beyond their spaces, relating to the Jardín Escénico, multiplying its possibilities of use, generating unexpected programs and contributing to the civic and cultural discourse of Mexico City.
Location:
Mexico City
Type: Park and Auditorium, Bosque de Chapultepec,
(First Prize)
Status: Under construction
Competition Team:
Architecture: Isaac Michan Daniel (Michan Architecture), Carla Ferrando Costansa, Pablo Garrido Arnaiz (PARABASE)
Landscape: Tonatiuh Martínez, Alejandra Aguirre (Taller de Paisaje Entorno)
Structural Engineer: Armando Merida (Structecnia)
Theater Consultancy: Itzel Alba (diseñOteatral), Jules Lauve, Scott Crossfield (Theater Projects)
Acoustic Consulting: Cristian Ezcurdia, Jaume Soler (SoundArts) Sustainability: Victor Viscor (Societat Orgànica)
Lighting Design: Víctor Palacio (Ideas en Luz)
Renders: Jorge Yáñez Barranco (Contarq)
Year: 2022
Type: Park and Auditorium, Bosque de Chapultepec,
(First Prize)
Status: Under construction
Competition Team:
Architecture: Isaac Michan Daniel (Michan Architecture), Carla Ferrando Costansa, Pablo Garrido Arnaiz (PARABASE)
Landscape: Tonatiuh Martínez, Alejandra Aguirre (Taller de Paisaje Entorno)
Structural Engineer: Armando Merida (Structecnia)
Theater Consultancy: Itzel Alba (diseñOteatral), Jules Lauve, Scott Crossfield (Theater Projects)
Acoustic Consulting: Cristian Ezcurdia, Jaume Soler (SoundArts) Sustainability: Victor Viscor (Societat Orgànica)
Lighting Design: Víctor Palacio (Ideas en Luz)
Renders: Jorge Yáñez Barranco (Contarq)
Year: 2022