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WORKS 

SCENIC GARDEN 
C294 APT
DL1310 APT 
PAVILION (   ) 
Z53 SOCIAL HOUSING 
THREE MUSEUMS AND A PARK 
ODP APT

DUBAI CREEK HARBOUR  

TL 2816 
LEÓN SOCIAL HOUSING  
C356  
CHAPULTEPEC 500 
M193 APT 
AL APT 
HIYA 
TORRE F44  
OKU 
ART WELLNESS RETREAR 
ZD ATP  
JV82 APT 
OKU PEDREGAL 
P1 APT  
DT APT 
CASA 11 
NIDO HQ 
OSTRERÍA 109 
FERRY TERMINAL 
S20 
G120 
C47 APT 
P291 APT 

E33 APT 

DN1202 APT  

ILC1109 APT 

DL 5155 APT 
DL 5155 APT V2
 HC APT 
TORRE INSURGENTES  
LUMA CAFÉ 
JD LANDSCAPE 
SPORTS CENTER 
AVT APT 
LP NO. 12 
ARCHIVO PAVILION 
SCHOOL IN TULUM 
HANGING OBJECTS 
ROBATA WINEBAR 
LINEAR PARK  

QUASI THING 
IKZA 
PAU SCHOOL OF ARCH. 
SLIGHTLY FAMILIAR 
RESTAURANT IN TULUM 
HOTEL IN SRI LANKA 
IV APOTHECARY 
IV APOTHECARY TJ 
MAYORGA ROOFTOP 
SANTA MARÍA APT 
2875 APT 
CONGRESO APT 
PLI 
 ANAMUR SOCIAL CENTER 
BOLICHE MARSELLA 
TRIPAS SONORAS 
SHOA MEMORIAL 
BLUE RUIN   
ÇANAKKALE ANTENNA 
SPORTS COMPLEX 
CH430 APT 
E33 APT 
 TL2888 APT 
PSA APT 

EXPLORATIONS 

VANISHING CONCRETE 
BRICK ORNAMENTS 
CONCRETE HYPAR 
STUCCO HATCHES 
 TERRAZZO 
TRAVERTINE EXTRUSIONS

BOOLEAN TOTEM

WICKER GLITCH LAMP
MATERIAL PAINT  
FLOWERS 
SYMMETRIES 
DIGITAL PAINT  
 

ABOUT  

PEOPLE 

CORE SERVICES 

NEWS 

CONTACT 
Mark

SHOA MEMORIAL















Architecture is the quiet witness of history. It transforms with the society’s values and its sociocultural life. Not long ago in Europe millions of people were killed because of their beliefs and inclinations, due to the imposition of what they should be. This memorial stands for the differences and contradictions being able to find a new coherence between extremes. It is made out of diverse systems which at first instance cannot coexist, through which it speculates about a coherence built from different connections between the parts.

The space does not tell a story nor does it give a meaning to the materialization of the memorial. It instead wants to leave its meaning open to create a democratic interpretation. We believe silence is the best way to commemorate such a terrible tragedy.

Contradiction

How to materialize a place that preserves the memory of a horrific event without telling a story?

History is preserved in books: this space shouldn’t explain or tell stories. On the other hand, it should yield to the mysterious, the sad, and the sublime.

We have no intention to explain such a tragedy. Rather than giving a close interpretation we want to leave it open, producing a mysterious landscape of weird ornaments and protruded objects where people can think about the monstrosity of the Shoah.

Lines, Fields and Objects

The project is drawn for outside/in as well as inside/out; the contingencies of the site bring the lines of the city grid into the project, producing a strange field of ornaments. On the other hand, the objects are internal protrusions of the ornamented field, finding a new relation between field and objects: the objects cannot exist without the field and its contingencies, but at the same time they are autonomous parts acting as prosthetics within the urban landscape.

This new take on tectonics, objects and fields yields for an ambiguous relation between the parts, hoping that the user can speculate on what this memorial can produce.


Location: Bologna, Italy
Type: Holocaust Memorial, Competition
Team: Isaac Michan Daniel, Narcisso Martinez, Arturo Lezama, Omar Acevedo
Status: Concept
 Year: 2015
Mark

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